ArchivesSpace at the University of Iowa

Scope and Contents

This is Andrews third book. The poems are composed with clusters of single and fragmented words whose content anticipates Andrews' more developed language poetry style. An introductory manifesto describes this new poetry. The cover design incorporates typed concrete poetry on th back cover. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Of 42 copies published, 30 were distributed to the friends of author and publisher; only 12 were sold to the public. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Paul Collins and Simon Moor were responsible for the design of this poster, -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents In the introduction to this book, McCaffery comments as follows. "Panel Two is largely an expression of language emerging into conflict and internecine statement conveyed in the variety of mechanical means of expression that's employed. It was predicated on a felt implication in Saussure's assertion that language is differential and oppositive at its base. Having discovered, explored and tested the parameters of the typewriter in Panel One, Panel Two places the typed mode in agonistic relation with other forms of scription: xerography, xerography within xerography (i.e. metaxerography and disintegrative seriality), electrostasis, rubber-stamp, tissue texts, hand-lettering and stencil. The compositional problem was in finding a form large enough to accommodate these conflicts and what arose as a solution was the interlocking single page to form a sixteen unit panel with the offset book format (to be abandoned in the process of assembling the panel) constituting the final stage in...

Scope and Contents

This print was made by overprinting Panels I & II of the original Carnival texts. -- Source of annotation: Marvin or Ruth Sackner.